2:21:24

“They’re exposing the skeletal framework of all of this corruption. DOGE is following the money to expose all the corruption…They’re establishing the criminality. First you have to establish the criminal network. And let’s not forget the vastness of this criminal enterprise. That’s what DOGE is doing: they’re exposing the financial underbelly of D.C., and of course, all of its tentacles all over the world. They’re doing this to introduce people to not just corruption, but industrial-scale evil.”

-Patriot Underground

Almost every new movie (I just watched The Gorge and Wolfs) and streaming series (even the “comedies”) is about spies, fixers, assassins, and trained operatives, so entrenched is this pernicious agency called the CIA in every aspect of our world. People are being programmed to live double lives and/or work for the CIA. You’d be surprised how many people go for interviews and get recruited like it’s nothing.

Time for the culture to catch up with the times. Time to stop normalizing, romanticizing, and glamorizing the deep state as entertainment. Time to stop normalizing and glamorizing lies and deception.

The Gorge would have us believe that the world’s two most elite snipers are also the two most romantic people on the planet. Despite the hundreds of people they have murdered, they are unspoiled and uncorrupted. Lone wolfs (who play old records and read T.S. Eliot) with broken hearts. Oh, if only it were so.

How else can you justify the terrible things these people have been programmed to do, with barely a question asked?

“What do you do when the sadness overwhelms you?,” sniper Darsa asks sniper Levi.

“Sometimes I’ll read a poem. Maybe try and write one,” Levi answers, as if the “sadness” were something intangible—the blues, rather than mass murder contracted by the deep state.

When they’re not working as cold blooded international assassins perfecting their Kill Shot (the one Fincher’s Killer misses), Darsa and Levi act like two 1940s teenagers.

It’s called dissociation and split personality, though these movies never say so. It would be a giant buzz kill to call things by their actual name.

There is no Mkultra without dissociation and splitting (that’s why transgenderism is vehemently pushed on very young children, and often covertly, unbeknownst to parents. It causes (initiates) a mind body split and a split identity, which is then blamed on the feeling that a child was born in the “wrong body.”). Levi calls it “compartmentalization.” The job has stopped being “fun,” he says. How was it ever “fun”? He has nightmares now. Has the programming worn off? Is that why things like love and poetry matter now? Or are they just sociopaths with multiple alters, switching on, switching off. The Killer alter, the poet alter, the manic pixie girl alter. Both Darsa and Levi are multi-generational Mkultra. Their fathers and grandfathers were intelligence operatives/spies/snipers. KGB, CIA.

Some claim that movies like Zero Day and The Gorge, both released in 2025, are part of the disclosure operation. I’m not convinced yet. Some movies and TV series are (and I have blogged about those), most aren’t. For the most part, it’s still a love affair that began with TV shows like 24 and Homeland—the opposite of the thrillers of the 1970s, where great distrust of and disillusionment with law enforcement, intelligence agencies, and government was fostered and depicted over and over.

More likely that was a psyop too. A revelation of the method (informed consent). They showed us what most never noticed or bothered to see.

One very promising sign that The Gorge, released in 2025, is disclosure is: “Screenwriter Zach Dean wrote a spec script for The Gorge that was later voted onto the Black List of the most-liked unproduced screenplays in 2020. In March 2022, Scott Derrickson was set to direct and produce the film alongside Skydance Media. In August, Miles Teller was cast to star, as well as serve as an executive producer. In October, Anya Taylor-Joy joined the cast, and Apple Original Films signed on. Sigourney Weaver was added to the cast in March 2023.”

2020, of course, was the height of the COVID plandemic. The Gorge, an occult governmental portal, is about a bio weapons lab abandoned after WWII when an 8.1 earthquake caused a lab leak and every kind of genetic mutation. Horses are trees, trees are human corpses. Old wreckage is forever fresh. 80 years later, the gorge (essentially Hades or purgatory) is still highly concealed and protected by Eastern and Western governments. The Gorge is one giant lab leak hellscape, concealed by cloak technology that is also the Neptunian fog and lies of the Piscean Age.

Double, double. Paul Schrader’s Oh, Canada (2024). Roxy Theater, NYC

The best series I have seen in the last two years about Mkultra and the vast criminal network that is the CIA, as well as one of the most terrifying, is the Western noir crime series, Dark Winds (2022), based on the aptly titled book, People of Darkness. It ran for only two seasons (a third season comes out in March, apparently). I may need to watch it again.

Dark Winds takes place in the late 1970s, the heyday of programmed Mkultra military assassins, many of whom were the so-called “serial killers.” The Mkultra assassin in Dark Winds, is interestingly, called Cotton Wolf, like the two aging “fixers” played by Brad Pitt and George Clooney in Wolfs (2024). In all the articles I read online about Cotton Wolf, he is never discussed as a deep state operative, even though he clearly has an extensive military background and is a brutal killing machine with powerful intel and weaponry (where does the money come from? Where do all the weapons come from? Where do the assignments come from? Who orders the hits?). Wolf, who is white, lives by himself in a trailer in the middle of the Navajo desert. Why? What is he doing there? None of the mainstream Normie “journalists” ever bother to ask any of these questions in their articles and interviews. Wolf is just a psycho with mommy issues—a mommy who killed her husband and children because she was hearing voices that told her to do it (likely Voice to Skull). Another mentally disturbed lone wack job rather than a high level Phoenix Program assassin. Does this sound familiar? Wolf is simply and bizarrely described as “mysterious,” even though he is one of the scariest and clearest examples of Mkultra mind controlled government assassin I have ever seen. The hospital scene with undercover FBI agent Jim Chee running from Wolf, who is trying to kill him, is terrifying.

The Phoenix Program, a covert counter-insurgency CIA operation in Vietnam, which as podcaster LookoutfaCharlie explains, “Trained soldiers, who were clearly chosen because they were psychotic, or had the propensity, to go into Vietnamese territories, hunt down these enemies, and ‘shock and awe’ by raping, pillaging, mutilating and setting up bodies in ritualistic ways, exactly like ‘serial killers’ of the 1970s and 1980s purportedly did.”

Jeffrey Dahmer, who had a military background, being the most famous example. There is much to say (as I write in my book, ACTING) about why Dahmer arranged his bodies the way he did, if he is, in fact, the one who arranged them that way.

These kind of ritualistic mass killings were also done on civilians by the CIA during Operation Condor in South America, from 1975 to 1983.

Some cinematic examples of The Phoenix Program, which ran from 1967-1972 and killed between 20,000-40,000 people (exact count is unknown), many of them innocent civilians, include Taxi Driver (1976), The Ninth Configuration (1980), Rambo: First Blood (1982), Lethal Weapon (1987), and Brian De Palma’s Casualties of War (1989). In Lethal Weapon (1987), former Green Beret Martin Riggs admits to being trained as a programmed Phoenix assassin at the start of the movie, as I wrote on this blog a couple of years ago. Rigg’s extreme PTSD and mania is a big part of the franchise, especially in the first two films (Richard Donner also directed Assassins and Conspiracy Theory!). It is Murtaugh and his loving family that help Riggs heal and recover from his extreme trauma, programming, and psychosis. Some Phoenix Op soldiers were trained to suicide (“self-terminate.” We see this with the serial killer, Frank Dodd in David Cronenberg’s The Dead Zone, for example, who is also the town deputy). In the first film, Riggs’ antics and tactics as an LA cop are propelled by self-annihilation and extreme risk taking. His life has no value for him. His body is a war machine.

As Dave McGowan explains in his seminal book, Programmed to Kill, these programmed assassins were the original serial killers: “The serial killer phenomenon really bubbled to the surface in the later years of the Vietnam War,“ he explains in an radio interview, “and was really kind of the case of the Phoenix Program coming home. The Phoenix Program was a torture, terror, and assassination operation. In Vietnam, it was specifically designed to demoralize and strike fear in the hearts of the Vietnamese people.”

As the documentary Splintering Babylon (2024) explains, “Part of Monarch programming is the ritual of induction. The most effective way to split a personality is to induce a traumatic experience in subjects.”

How do you wage covert (hidden) wars on civilians in Western countries?

As the tweet above cleverly notes, the Slasher genre of the late 1970s/early 1980s models itself on the Phoenix Program’s rampage/carnage (“shock and awe and terror”) Mkultra programming. Like the Phoenix solider, inscrutable killers such as Jason in Friday the 13th and Michael in Halloween are programmed to kill. Because they are designed to have no conscience, they never stop killing, nor can they be killed. They are early prototypes of the super soldier. This murder “modus operandi” is explained supernaturally and psychologically rather than as Monarch mind control. As horror movie viewers, we consume the carnage and in doing so, learned to dissociate.

We could call the Phoenix Program in Vietnam a foreign test run for the psychological operations that were later waged on the American public via media, technology, psychiatry, big-pharma, and the education and medical complex. Vietnamese villages were turned into American film audiences, as we entered a new era of Hollywood, and movie audiences were programmed to seek out trauma—”shock and awe”—for thrill and entertainment, most notably through the horror genre, which exploded in the early 70s. Simultaneously, American citizens were terrorized in real life by manufactured violence and social unrest (psyops). Fittingly, Geoffrey Ward, like McGowan, called the Phoenix Program the “civilian assassination program" in his book on the Vietnam War.

The Killer Elite, 1975. The art of disclaimers! One also appears at the start of Michael Jackson’s Thriller video, and many other films, of course.

“All of these things started at the same time…how do you project and hide the fact that all of this started at the exact same time? Serial killers, people hearing voices, violent, serial crimes, mental illness evolving and morphing—symptoms morphing and changing—into what it is today?,” LookoutfaCharlie asks.

The CIA has been one of the most destructive dark forces this world has ever known. They are responsible for a vast dark network of evil, involving every depravity and psychological operation you can imagine. As Kash Patel explained, “The way intelligence works is you’re always developing it.”

They are the people of darkness.

We have been in its near-total grip for nearly a century. And we are only scratching the surface of what that has truly entailed.

2:22:25

2:21:25